My friends from Melbourne have gone, leaving as they always do, a selection of olives, cheeses, sun dried tomatoes, cold meats and other delectable items which I’ve turned into a colourful, tasty and nutritious meal to suit me right now.  It’s a rainy evening, this Equinox, and I’m cosy after a 26km run and shower. Comfortable.

Speaking of running, we had two marathon Seinfeld sessions and I’m continuing tonight solo. Jerry and Kramer have just run into someone who called Jerry a phoney five years ago. “Is Jerry still mad at me for the phoney comment?”. “Oh no” said Kramer “it’s water near a bridge!”.  “Maybe I’ll see you in another five years”, said Jerry.

At the risk of showing your true colours sometimes you feel the need to say something that has the potential to cause injury. In your own language, the truth might hurt. In the recipient’s eyes, you’re showing unpleasant, but true colours.

Last week I ran a great workshop on story telling (well I thought is was great anyway!). As you might expect I started with a story. The story started with the events of 22 February 2011 with my son Thomas and Dad in Christchurch. And somehow I went to a classic photograph of my parents in 1952 in Queen Street, taken by a roving street photographer and restored by me for their 55th wedding anniversary (actually the credit for the restoration goes to my talented former assistant Ivana Dimovski). The photograph stirs deep thoughts in me, of a young couple in love and makes me reflect back over the 48 years or so that my DNA has been part of that union. And because it means that much I like to be clear.  So in the weekend I had a ‘showing my true colours’  moment, because something challenged my values that I didn’t think had been properly dealt with.

So this blog is written I admit with a slightly bruised feeling – I’m the one that’s done the bruising – and I don’t feel flash for doing it. Funny how you can bruise yourself when showing your true colours. And I forgot the power of the story for a moment – I did the telling bit, but not the story with all it’s grit, love, rights, wrongs and meaning. And without doubt I made somethings that were actually good, not good, to justify my sense of wrong.

The story of life is gritty and true colour moments come and go.  With those that really matter they are building blocks to greater meaning. Nice words, probably true, but I need to tell myself, easy fella, make sure I don’t do more harm than good in my truth moments. And remind myself that the buttons that get pushed – mine is usually around transparency when the water is still near the bridge – are my buttons, not everyone elses.

And the couple in the photograph in 1952 are just the best parents you could ever ask for and if you don’t know that about someone special in your life, maybe you’re afraid of the true colour moment, maybe you never recovered from a true colour moment, maybe the water is near the bridge and you haven’t had the courage to let it flow. Whatever the reason don’t wait for the next Equinox to realise that it’s time to sort it. And don’t save up some crap until the next Equinox either.

I recently wrote about a cousins barbecue at the memory-filled Stanmore Bay where most of us there shared some DNA.  But remember, your DNA only lasts for so long.

Stephen